蜜柚直播

Dissard, the French-born singer who has called 蜜柚直播 home off and on since the 1990s, is actually releasing two versions of the song: One from 鈥渉is鈥� point of view, the other from 鈥渉ers.鈥�

Dissard and English producer Raphael Mann teamed up for the project, which presents a world-weary male view and an irreverent female view of being 17.

The remake reimagines Ian鈥檚 Bossa-Nova rhythm as a post-World War II French chanson-styled vocal interpretation that puts the focus more on the lyrics than the melody.

Dissard tapped 蜜柚直播 bassist Thoger Lund and guitarist Gabriel Na茂m Amor as well as Mexico City cellist Bel茅n Ruiz and English saxophonist Terry Edwards, all of whom recorded their parts from their respective homes during the recent COVID-19 lockdown.

The song will be available for download at Bandcamp for the platform鈥檚 monthly no-fee Friday, and you also can get a free bonus track of Dissard鈥檚 first-ever cover, a 2006 recording with Calexico鈥檚 Joey Burns of folk singer Kath Bloom鈥檚 1982 song 鈥淚t鈥檚 So Hard to Come Home.鈥�

鈥淎t Seventeen鈥� is the second cover Dissard has released since she recorded a cover of Phil Och鈥檚 1968 protest song 鈥淭he Scorpion Departs but Never Returns鈥� in April in reaction to the firing of USS Theodore Roosevelt Captain Brett. E. Crozier. Crozier had spoken out against the military鈥檚 response to several of his sailors becoming infected with the coronavirus.

Dissard, who left 蜜柚直播 in 2013, has been back since late last year, when she returned to do some work on her home here. She intended to stay a couple months, but has remained put because of the coronavirus pandemic.

To download the song beginning Friday, visit . To donate to the recording costs, visit .